Laurie B Style Gives You A Backstage Pass

Enjoy this exclusive look at the Studio DNA/Nylon/Sebastian Party by Laurie B Style.



Hair Color, the Real Anti-Aging Serum

I Feel Bad About My Neck

I Feel Bad About My Neck

I know, I know “gray” is a four-letter word that can send most women into a tailspin.  Luckily, hair color has come a LONG way in the last 30 years–it is a lot more moisturizing and you don’t have to worry about getting that unnatural color that our grandmothers had. 



Nora Ephron addressed this in her most recent book, I Feel Bad About My Neck: And Other Thoughts On Being a Woman where she states, “There’s a reason why forty, fifty, and sixty don’t look the way they used to, and it’s not because of feminism, or better living through exercise. It’s because of hair dye. In the 1950’s only 7 percent of American women dyed their hair; today there are parts of Manhattan and Los Angeles where there are no gray-haired women at all.”  Dying your hair is the most significant way we’ve slowed the aging process.  It is certainly the most effective.



Here are my tips for keeping the grays away, while maintaining a soft, natural look:


  1. Find the right stylist.  I know the thought of coloring your hair at home and saving some money can seem intoxicating but avoid that temptation with every fiber of your being.  The technological advances that I spoke of earlier mostly apply to professional grade products, not Clairol on your local Rite-Aid’s shelves. Even if you are having a friend/husband apply the color for you, there are often (read “always”) spots missed and despite everyone’s best efforts the color generally gets applied to previously colored hair.  This causes color build-up, which leaves the ends of your hair darker than the roots.  To correct this, you will have to spend several hours in the salon and quite a bit of money–going to a salon saves you money in the long run.
  2. Find the right the right tone.  As we age, our natural color fades and dulls; matching a color to that dull shade creates a “colored” look.  If your hair tends to be ashe-y, add some warmth. 
  3. Make sure you have dimension.  If your hair is the same color, roots to ends, all over you start to get that “I color my hair” look.  To avoid this, get highlights every so often to break up the color.  Ephron describes highlights as, “that first sip of brandy Alexander that Lee Remick drank in Days of Wine and Roses.”  They bring back the sunkissed look that we all had in Summers past.
  4. Find the shine.  Putting a gloss on your hair restores the shine in your hair.  Since gray hair tends to be coarser and duller, glosses will counteract these tendencies and make your hair look 10 years younger.



We all know that our hands and neck show our true age, but moreso does your hair.  According to Nora Ephron, hair color “is the most powerful weapon older women have against the youth culture because it actually succeeds in stopping the clock.”  It doesn’t matter how old you are; it’s never too soon to start looking years younger.

some simple hair rules

  1. color does not and can not lighten hair that already has color on it.
  2. you can not make someone platinum without bleach! (lightener)
  3. washing too frequently is drying on the hair and scalp.
  4. small frequent trims can and will promote growth.
  5. bangs look good on everybody. (its just about finding the right shape)
  6. anything you do with heat you must also let cool in the same shape/position or it will not stay.
  7. touching your hair throughout the day does make your hair fall flat. (the oils in your hand eventually build up on the hair and weigh it down)


that’s all for now, i’m sure i will think of more later…

Landmark Entertainment Group Featured at DNA

4436335498_3fb6095969We have some new art on the wall.  Art that reflects the creative nature of Hollywood.


Landmark Entertainment Group has one of the largest collections of artwork created by scores of world-famous artists, designers, animators, illustrators, architects, writers, directors, producers, actors, choreographers, dancers, and many other creative professionals. Some of the artists were commissioned or worked in collaboration with Landmark. However, a majority of the work was created by Landmark Entertainment Group (LEG) personnel. The LEG in-house team is responsible for most of the dynamic and original art of the collection.


The Landmark collection embodies more than 20 years of themed multimedia artworks crafted for projects of epic proportion. The collection includes:


• Original paintings, drawings

• Limited edition/one-of-a-kind, prints, posters, sculptural scale models mequettes

• Photography, presentation art, pre-production, architectural schematics, full design plans

• Films, storyboards, videos, laser discs, scripts 

• And most importantly, the visionary concepts that emerge in one or more of these mediums.



Fantastic landscapes, fantasy, nostalgia, futuristic, comic book, cartoons, storyboards, costume & set design, themed architecture (in many stages of conception). All of which was created for international and multicultural entertainment and appeal. The Landmark Collection as a whole reflects many poignant areas of American and International pop-cultures. Truly, a vast and engaging narrative that echoes a multinational creative vision of “what could be”! Beginning with an intriguing concept, worlds of epic proportion are born and realized!



The following is a list of some of the Artists:

Ajmal Ahmad 

Ann Geunther

Branislar Hetcel

Bill Justice (Disney)

Charles Cancilier

Chris Smith

Claudio Mazzoli

Corey Cole

Craig Mullins

Crussel

Dan Goozee

Danilo Gonzales

Dennis Brown

D. Goosa

D. Lefler

D. Swanson

Eddie Martinez

Ed Sotto

Eric Heschong

Eric Tiemens

Eugene Wonthey III (1.)

Fontinella

Gallego

Gentry Akins

Greg Damron 

Greg Pro

Guy Vasilovich

Harvey Garrett Smith

Herbie Ryman

The Brothers Hildebrandt

Huizing

James Adams

Jeff Watts

Jim Michaelson

JL Carina

Kirk Antell Sr.

Kurt Kaufman

Kurt Wahlner

Larry Kilo

Laurie Newell

Lefler

Luc Mayrand

Marc Davis

Mark Thomas

McCallen

Mentor Huelmer

Michael Humphries

Mike Hodgson

Mitchell

Morgan

N. Ponsky

Neal Adams

Nick Heichberger

Penelope Gottlieb

Pete Menafee

Phil Mendez

Raul Rodriguez

Ray Wallace

Rebecca Mills

Reggie Stanton

Rex Moon

Richard Guiterrez

Robert Jani Productions

Ryan T. Wurmser

Siegfried Knop

Syd Mead

Thanu Boonyatawana

Tibor Karsai

Tim Gould

Toby Nippel

Tom Gilleon

Vander Palen

Vau Strauhal

Veroux

Walter Lee

William Stout

Wes Cook

Two American Hairstylists in Paris

On July 5th, Aubrey Loots and myself departed on a one of a kind adventure. We were jet setting to Paris, France to work on the Christophe Lemaire Haute Couture show, the new designer for Hermes. It was my first time in Paris, and I could not have been more excited, not only for the trip itself but to do hair for Paris fashion week. Double dream come true.

 

We were there for about four days, but being in Paris was like being transported into another world. It felt like we were there for three weeks, be it the lack of sleep and the abundance of adventure, or the espresso and never ending croissant. On the morning of the Christophe Lemaire show we arrived at our destination, a large architectural building in the Republic area of Paris. We went to set up in the backstage area, pulling out adaptors for flat irons, more Oribe products than you can imagine, pins aplenty and cords running everywhere.

 

It seems there is an overload of food no matter where you are in France, but a continental breakfast here is more along the likes of Thanksgiving in America.  Backstage at most fashion shows there are mini muffins, bananas, bottles of water. Here they set out croissant, crepes, nutella, fresh loaves of bread, a buffet of fruit, coffee, juice, you name it. It was like heaven. But there was no time to dine, for we had a lot of work to do. Aubrey and I snuck upstairs to where the show would take place, just to see what we were working with. The view was something I never could have imagined, and will never forget.  It was more beautiful then I could have ever dreamed. The show would take place on the rooftop of the building, and you had open views of all of Paris from it. You could see the Eiffel tower, Le Sacre Coeur, Montparnasse, and the Bastille.

 

 View from the rooftop, where the Christophe Lemaire show took place  2

 

The hair for the show was difficult in that it took many steps to get to one finished style, but it was worth it.  An almost androgynous feel, the hair was styled to where the front for both men and women were about the same. A square shape, side part, wet look. For men, the back was very slick and down, and for the women we created long waterfall like pony tales, tied at the nape with a long peice of leather. It flowed like a fountain on the runway, pulling together the beautiful shapes of Christophe’s line with the background of Paris itself.

 

The show went perfectly, with the exception of American Vogue arriving late, so it was delayed for a few minutes. (But lets be honest, I would have waited all day….) When it wrapped, they popped champagne and we all cheers’d to a job well done.

 

As far as hair trends in Paris in general, on the streets I noticed women having very loose, flowy hair. They experimented with color a little bit but for the most part they keep it very natural. Long locks, loose waves, maybe some light highlights that look as if the sun shimmered itself into the hair.

 

This seemed to be their manner in general – loose, natural and flowy.  The clothes they wore were put together well as far as the shape and fit – nothing too tight or too uncomfortable. They go with loose and comfortable in a way that looks hotter than any mini-dress cleavage display I have ever seen.

 

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The rest of the trip was amazing. I went sightseeing, and explored a lot of the different neighborhoods. I went to the Louvre, saw the Mona Lisa of course. I tried to make her smile but I guess she didn’t find me very funny. I went to the Père Lachaise Cemetery.  If you have never been I suggest checking it out. It is so large and so beautiful, which I think is how a cemetery really should be. I visited Jim Morrison, which will change your life music fan or not.


Aubrey and I spent a lot of time by the river Seine, and the Notre Dame cathedral. Its great to see everyone lounging on the banks of the Seine. There is no fence keeping you seperate from the banks, or sign that warn us ”about jumping, falling…keep away from the edge, blah blah”. They just trust that you are not stupid enough to walk over the edge, which is kind of refreshing. On the Pont des Arts bridge on the Seine there are locks on the bridge. I was very intrigued by this so I looked it up back at the Hotel.  Apparently people put locks on the links of the fence and throw the keys into the river, to symbolize their ever lasting love. They call them the “locks of love”.


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The weather while we were there was perfect, sunny, little humidity. Blue skies, green grass, and cobblestone streets. I fell in love with Paris, not only the city and the architecture, but the people, the culture, their way of being. They take things at a slower pace. They eat slowly.  They eat well.  They enjoy each others company.  People in restaurants sit facing out, almost as if your at a theatre, but the show is the streets. The people. The nature. You sit literally right next to the person at the table next to you, so there is no divide. You have no choice but to make friends, or at least acknowledge their presence. You can’t just dine and dash in a hurry, because they won’t let you. It is literally impossible. (The only thing I didn’t like seeing in Paris was the American fast food chains, like McDonalds, or the ever chic KFC. It cheapened their way of life a little I feel, but I was almost glad to see that the eat and run choices over there were not very busy.)

 

This trip I feel like changed me in a way, and I am so thankful for it. Not just as a hairstylist, but as a person. The french just do things a little differently, which I hope now, if even in the smallest way, I will  too.

 

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